This issue of Afluir hosts a series of hybrid narratives, where the word and the image show the relationship that its authors have experienced, built and felt through their personal research territories.
Afluir in its fourth issue presents itself as a landscape through which to derive, where the concept of time mutates in each text spinning its possible paths, because after all a magazine is nothing but a product of time and in it the subjective traces of this are kept. In this way, Afluir once again generates an experimental setting where to expand new ideas for reflection and creation, blurring the boundaries between what is understood as art, understood as education and life.